Showing Collections: 41 - 49 of 49
Seon Gin Quinnie Tan collection
This collection consists entirely of paper documents, including a copy of Tan's proposal for the Chinatown program; a postcard for a photography exhibition; some handwritten notes about a 9 1/2 year old girl; an Asian Americans United fact sheet from 1993 or 1994; and a 1996 newsletter from the Coalition for Asian-American Children and Families.
Sin Jang Leung collection
This collection consists entirely of paper documents, the majority of which is correspondence from 1980-1986. Most of the correspondence is with the Social Secutiry Administration, Medicare, the Chinatown Health Clinic, and Hamilton Madison House, a community center with services for senior citizens. In addition, there are some newspaper clippings (in Chinese) for Chinese medicine, a postcard (in Chinese), and a few empty envelopes.
Sour Sweet Bitter Spicy Oral History Project
The oral history interviews in this collection are a central part of the Sour Sweet Bitter Spicy: Stories of Chinese Food and Identity in America exhibition that runs from October 6, 2016 to March 27, 2017. The exhibition weaves together a grand, complex story of Chinese food in America through interviews of home cooks; pioneering chefs such as Martin Yan, Ken Hom and Cecilia Chiang; and new restauranteurs like Peter and Lisa Chang, Jason Wang, Vivian Ku, and Danny Bowien.
Sunset Park Oral History Project
Between 1993 and 1994 the Museum of Chinese in America (MOCA) collaborated with the Brooklyn Historical Society to conduct 29 interviews in English, Cantonese, and Mandarin with residents of Brooklyn's Sunset Park. The interviews focused on what was then a new presence of Chinese and Asian immigrants concentrated along Eighth Avenue in Brooklyn's newly formed Chinatown.
Wah Kiu Wet Wash Co. collection
Waves of Identity Oral History Project
Way Gar Wong collection
"Who Killed Vincent Chin?" collection
The materials in this collection consist of donations from Renee Tajima-Peña, which include transcripts of interviews and trials; court documents; clippings from newspapers, journals, and magazines; research and production notes; and video cassettes of footage used in the documentary film. Donations from the film department at New York University include film reels of different versions of the documentary, audio recordings, and related invoices.
William Yukon Chang collection
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